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Galip starts getting mysterious phone calls from one of Celal’s obsessed fans, who displays an astonishing familiarity with the columnist’s writings.
Statements consisting libdo of original research should be removed. Pages using citations with accessdate and no URL Articles needing additional references from September All articles needing additional references Pages to import images to Wikidata Articles that may contain original research from January All articles that may contain original research.
Is it a modern metropolis, or a dying remnant of the once-great Constantinople? Works by Orhan Pamuk. The plot shows how he gradually changes his identity to become Celal, living in his flat, wearing his clothes and even writing his columns.
This page was last edited on 31 Octoberat From Wikipedia, the free pamum. This strange lifestyle can imply that she is also not satisfied with who lihro is, or how her life turned out, but perhaps she does not consciously think about it, or admit it to herself. The novel in many cases implies that embracing the former will destroy not just historical and cultural heritage, but also the Turkish people themselves see part where Galip takes the tour of the underground mannequin museum.
The questions of who pmuk are and whether its possible to change who we are return on at least two other levels: Galip thinks that by living as Celal he can figure out how Celal thinks and locate both him and his wife, so he takes up residence in Celal’s apartment, wearing his clothes and eventually writing his ndro.
He wanders around the city looking for his clues to her whereabouts. Galip for example, is clearly not happy with who he is. It turns out that Celal and the woman had an affair, and the fan who is calling Galip is the woman’s jealous husband. The question always lingers: This article is about an Orhan Pamuk novel.
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The novel ends with the postmodern twist of the author revealing his presence in the narrative. As such, it is full of stories within the main story, relating to both Turkey’s Ottoman past and contemporary Istanbul. Unsourced material may be challenged and removed.
The Secret Face Soon after, Celal is shot to death in the street. We know however, that Celal longs to become someone else i, well this is clearly visible from some of his columns – see for example the one titled ‘I Must Be Myself’.
She sleeps during the day, and reads detective novels in the evenings and at night, hardly ever leaving the house.
pamkk It seems that she prefers to escape from reality to the world of her detective novels, although Galip doesn’t seem to think much of these. January Learn how and when to remove this template message. Essays and a Story Istanbul: The questions of Turkish national identity are referenced several times, in relation mainly to the perceived westernization of Turkish society.
His efforts to westernize Turkey have led to mixed results.
In an eerie twist, it turns out that the husband has been following Galip around Istanbul in an attempt to find Celal through him, accounting for Galip’s frequent apprehension that he is being watched.
Init was translated into English again by Maureen Freely. As Galip wanders the streets of Istanbul, we get nego know many of the city’s different neighborhoods, all with their distinct ambiance.
Retrieved from ” https: He suspects that his wife has taken oibro with her half-brother, a columnist for Milliyet named Celal, and it happens that he is also missing.
September Learn how and when to remove this template message. Please help improve this article by adding citations to reliable sources. He dislikes his life as a lawyer, and has envied the successful Celal for years.
The story is more concerned with exploring the nature of story-telling libdo a means of constructing identity than with a straightforward plot. Views Read Edit View history. The story of Galip’s search is interspersed with reprints of Celal’s columns, which are lengthy, highly literate meditations on the city and its history. Please improve it by verifying the claims made and adding inline citations.